Interview with Shane Munce by Iva Kanceska 01/03/2010
Q: Tell me a little about your personally. Are you a self
taught tattoo artist?
A: I am not a self taught tattoo artist. I began my apprenticeship
in 97 I believe. Under Brian Ulrich in New Hope, Pa at the shop
"living Arts".
Q: How long have you been tattooing?
A: Since 97 pretty much. Nothing really started coming together
until around 99, when I kinda fell into the "realism" category.
Q: Are there any famous artists, tattooists or not, that
have influenced you down the path of your career?
A: Obviously Brian Ulrich for getting me in the business. I have
always admired H.R. Giger since I was around 8 or 9. I love the gore
and realism coming out of special FX artists like screaming Mad
George, Tom Savini, and Rob Bottin. As far as tattoo artists go, Its
people like Nikko, Mike DeVries, Nick Baxter, Tim Kern, Josh
Carlton, Bob Tyrell, Robert Hernandez, and Paul Acker that make me
bust my ass everyday to even keep up!
Q: How has your work developed over the years?
A: God I hope so. No it has. I remember when color portraits were
unheard of. And reading an interview with Deano cook and him saying
he thinks he had color portraits down. hahaha. Now look at what
people are doing! Its not only me its the entire industry. The
economy cant even keep up!
Q: It seems to me a lot of younger tat artists have college
degrees in the fine arts. The things they can do on the skin are
outstanding. Do you think it is necessary for a tattooer to have a
background in fine arts or any formal training?
A: Yeah, obviously so. Its so rare you find raw talent nowadays. I
learned so much in college, that are fundamental art skills that I'm
sorry no tattoo artists would or better yet should have to teach an
apprentice. Having skills mastered on paper or canvas before doing
it on another persons skin permanently is what I feel should be the
case. I feel it should be mandatory that in order to get an
apprenticeship one should have been through art school. There are
too many artist nowadays that are mediocre and jump into a certain
style so their shortcomings don't show in other styles, or just do
flash because that's where their capabilities lie.



Q: Your style leans toward bright colorful portraits and
horror designs. Do you remember where and when your love and
fascination with that style first began?
A: I guess you could say my fascination with horror started at a
VERY early age. My parents bought me toys that were of monsters and
stuff as a kid. I remember one of my Christmas presents in '79 was
an 18 inch kenner alien. Even Star wars and other films like clash
of the Titans (which they are remaking), I always liked the bad
guys. They were always more interesting than the good guys. My
father was a engineer and specialized in drafting, so as a kid I
used to ask him to draw me pictures when I was incapable. That
talent alone always intrigued me and I see the same thing with my
son, Gage wanting me to draw and do art for him.
Q: Have you ever thought to change your style?
A: Yeah. When I first began tattooing I was wanting to do all kinds
of tweaked graffiti style new school tattoos and knew absolutely
nothing about the art in general. All my life I did everything in a
realistic perspective. I have no idea what made me think tattooing
was going to be different. SO after plenty of horrible attempts at
that style I kinda stumbled into doing a portrait for a client and
everything sorta fell into place.



Q: What is your favorite or most exciting aspect about your
job?
A: This is where everyone gives that bullshit answer about meeting
new people. Yeah, that is cool, but I think its doing something that
comes from within me and being recognized by other that they want
that "piece" of me on them forever. Having other artists say "good
job". I always looked up to Don Juan from Philly. A month ago I was
at a party with him and he was like all stoked over this tattoo I
did on a friends hand. He was showing other artists in the room and
what not. Funny thing is 12 years ago I remember sitting with him in
a bar and him talking to me about this person was flying in to get
tattooed by him and him doing a convention in this city and I just
remember going "wow, I want to be like him one day!" That s when I
have "made it".
Q: What techniques are you using to make those amazing
designs?
A: If it was that easy to explain Id write a book , retire to Greece
or something. I don't even know how my thought process works. I
either do what I see in front of me (portraits) or do what I see in
my head, (flesh wounds). I don't stop until I am pleased with the
outcome.
Q: I suppose you are traveling a lot. How many often do you
go on tat conventions and which one left u the most memorable
impression?
A: I don't do conventions as much as I travel to tattoo friends of
mine. I know in the past year I have traveled a few times to tattoo
Corey and Paul from slipknot. I have known them for a bit, and
traveling with them and hanging with them and their families go
above and beyond most conventions I've done. Very gracious people
and I'm happy to consider them my friends.
Q: What advice would you give to new artists coming through who are
trying to make a name for themselves?
A: If you don't posses something that sets you apart from others or
being the best than you can possibly be then find another
profession. The world needs more bankers, and house painters. Not
more people doing irreparable damage to others skin permanently.
STAY in school. get your degree. Then ask yourself that question. I
see too many kids buying machines on eBay and "tattooing" their
homies up at a tattoo party. Spewing out crap that my son (7) could
do better at. Sure this profession has perks. I've gotten girls that
I wouldn't have thought would look at me twice beforehand, but
that's not WHY I got into this business. Some things you either have
or don't have, and if you don't have it, leave it behind you. If you
do, it'll fall into place.
Q: What can we expect from you in the future? Please feel
free to share your work info.
A: I guess just more busting my ass to pull off more cool shit. If
its not on someone's arm, it'll be in a gallery.
Thank you Iva for the interview, my website is WWW.REDRUMTATTOO.COM




