interview with graffiti artist atek 84
Hello Atek! Thank you so much
for taking the time to do this interview. Please start by telling us
something about yourself and your background. How it all started?
My father is an artist, so when I was a kid I grew up in a house
that was one big gallery of canvasses. I need to go to one
vernissage, after an other and hear all those boring speeches...
This had an influence on me without a doubt. Than I started to draw
my own comic books and so on...
Q: Why graffiti? How long are you into graffiti?
A: Graffiti is fast, hard, colors, chromes, a lot of expression,
it's stress, it's photography, troubles, ego. It's walls, steel,
emotions, sketching, travels, people, obsession, court...
When you are a teenager bored of everyday life this is the perfect
thing to fall in love with.
I'm painting now for about 10-12 years. My alter Ego Atek84 started
about 4 years ago when the more relaxed aspect in graffiti started
to attract me...
Taking time to develop style, experiment with no lizit like time and
so on... this is a new element for me and makes the game more
interesting in some way. Still, to much time can create
boredom... the enemy of this time.
Q: How would you describe your style?
A: Socially, Church, Bloody, Expressive ...
Q: Do you have any favorite characters?
A: The Marvel Series in general. But also Blacksad, Tank Girl,
Sin-City and the Criminal comics. As a kid I was fascinated
by comics, so now, all grown up, I felt this nostalgic feeling to
create superheroes series. The mythology around superheroes is
interesting.
When I'm now thinking about it, the immortality and invincibility of
the superheroes, those where probably the main characteristics which
were fascinating to me. Now I see myself thinking about the same
ideas but in a more mature and intellectual way.
Q: Do you have a sketchbook? Tell me
about the creative process.
A: I like to work around concepts. And if you want a concept you
need a idea, so if I have my idea I start some natural brainstorming
process. After this I go search for a nice spot. Then I start to
sketch, go to the spot, do the thing I do, take the photo and it's
done.
Q: Being a graffiti artist must
be fun. Have you ever worked in a team with other artists?
A: I painted a lot outside Belgium so if you need spots it's natural
that you hook up with people all across Europe. From Bratislava to
Berlin, from Marseille to Copenhagen, from Riga to Valencia, from
Milano to Budapest and so on....
Paint, chill with the locals and have a good time. The interaction
with people from a different background and roots can be very
interesting. Still... When I'm in Belgium I don't have the urge to
hang out all the time with people just because they paint graffiti.
I like to paint alone at my home ground.
Q: Where would be the "dream" piece?
A: Painting on some North-Korean battle ships would be nice I guess.
Q: Since your style is well-defined, would you
change something in the near feature?
A: At the moment
I'm doing an old fast-food building into a church...
Have painted a wall from 29 feet high that has a real working flat
screen 50 inch TV on it playing day and night... We can see this as
something completely different. Still, bricks are involved. So if you
have some connections in North-Korea hook me up!
Q: What role “tagging” plays in street art?
A: The tag is the roots of graffiti, it's the necessary core. But... It depends what your roots are in graffiti.
If you started
illegally a tag can be an art on itself, it needs to flow, it needs
to be nasty, it needs to scream! You can love tags... even more than
a piece.
If you started legal, most of the time your tags look crooked and
you don't pay to much attention to them. It's ridiculous that there
are people who do real nice pieces but can not throw a decent tag.
Q: Do you think that graffiti art can make a social impact
in some way?
A: I'm sure it can make a social impact but I'm not a revolutionist
or a prophet. I have a need to express myself, to express my
ideas... Most of the time, visible walls for a crowd. I do this because I
need to get some ideas of my chest, if people don't like it, no
problem. If people like it, also... no problem. When I hear the word
rebel I feel sixteen again... that phase is some years ago now.
Q: What are your feelings about the graffiti scene at
present?
A: In the early days, it was all about letters and characters...
The internet was present but not a big player on the market, now
everybody has a blog and a website. Overkill at its peak! It's
killing the identity of a lot of writers and pieces. Ow...and since some years you have this awe full word called “
street-art”.
Q: Do you still enjoy painting?
A: I appreciate the painting itself now on a different scale than in
the past. I mean that in a good way.
Q: Talking about the popular culture... Do you think
graffiti is mainstream?
A: Off course it is. The whole jumps in on this “hip”
movement. It's cool and groovy, hip and square... But it was cool
and groovy in the 80's, the 90's and the Y2K's. Still, you
need to be true to yourself. Respect your roots. Every hipster I know is now fan of “street-art” they see some Banksy
stencil and go crazy about it, want to do some “hip” stencils on the
streets and gain as much as respect and fame as possible... But
after a year or two they quit. And still..after 35 years they are
still talking about it to their grandchildren after Christmas dinner. But hey, you always have the other side of the medal.
There are
still people pulling planks and pushing limits out there. So just
like music, you have the good old Wu-Tang, A Tribe Called Quest,
Lord Finesse and on the other side the mainstream Lil Wayne, 50 cent
and Justin Bieber crap...
Q: Any advice for the new artists?
A: Don't use crack.