interview with Mads Hansen | Bad Boys Tattoo, denmark 09/03/2017
Hello Mads Hansen! Thanks so much for taking
the time to answer some questions for our magazine.
Please start by telling us something about yourself... How did you
get into the world of tattooing?
Well, getting into tattooing was the easy part, I guess. When I was
sixteen, I was at the local bar in my hometown of Løgstør, Denmark
and was offered to buy one of those shitty suitcases with some cheap
china machines and shitty colors. So I bought it, and I got a great
deal on it, like 1600.- DKK (230$). It had all I needed to start
tattooing. So I did, that very same night at a friends house party.
There were two super cool machines in the suitcase, one where the
frame was a dragon! I Knew a bit about setting up the machine from
when I got my first tattoo done at age 14, when I lived in Spain,
and from the tattoo masters of YouTube, of course. I talked my good
friend Kristian Tang into getting a Tuborg Beer logo on his right
buttcheek, Which seemed like a great idea at the time.. Later that
night I got to do a tiny heart on an asian girls ass. Since that
night, I was all about tattooing! I got my "studio" set up in my
room, at my moms house and all the local guys started coming to my
room for tattoos... Which was awkward, since my mom was downstairs
most of the time. Quickly, the little business I had started from my
room had grown. I started to invest in better machines, colors,
needles and all the other supplies. Soon I had two Micky Scharp
machines, Intenze colors (from China) and plastic wrap on almost
everything I came in contact with while tattooing. So in my own head
I was doing ok, which I can see now that I was not. After a year or
so I decided to look for an apprenticeship in the closest big city
of Aalborg. But I was turned down from the studios I went in to. So
I moved to Copenhagen and quickly found a biker shop that was ready
to let me hang around and clean the shop. One day I came to work at
the shop and the boss had packed all my stuff and told me that It
didn't work out with me. I guess I was to soft for this type of
studio.
Later after trying a lot of different shops in Copenhagen, I found
another apprentice shop in Bad Boys Tattoo, where I'm still working
now. So that is pretty much how I got into tattooing, a lot of
turndowns!
Q: How long have you been tattooing?
A: I'm 25 years old now, so if you count from when I first did a
tattoo, that makes 9 years now. But I prefer to count from when my
apprenticeship started in February 2011.
The most challenging part was to find and finish my apprenticeship.
But I would say, I was very lucky to have mentors that were old
school and helped me to shape into a better person and tattooer. One
of my mentors used to say that without pressure a diamond is just
coal. For me there was no other way to learn tattooing.
Q: Many say that talent, great drawing skills are crucial
for becoming a great tattoo artist, what are your thoughts?
A: I guess you need to be able to draw a little or just imagine a
image in your head, before you start tattooing. But I think the most
important thing is to be dedicated to learning and put every hour in
to it. Everything has to come second to tattooing, friends, family,
girlfriends. If you are able to put everything in to it, I think
it's possible to become a good tattooist.
The time before tattooing was mostly drawing and and little
painting. I tried to get a real education when I finished school. As
a construction painter, but that was only so I would have something
to fall back on if tattooing didn't work out for me. I decided that
if I had a safety net, I would go all in. The things I learned in
the short time as a painter, I learned a lot that I could use later
in tattooing, like color theory and getting a good color
combination. After painting I started another education in serigrafi.
This tough me how to use Photoshop and other digital ways to work
with images. Which has helped me a lot later in tattooing.
Q: You have an impressive
portfolio, It's like you can do almost any tattoo style. Every
tattoo looks so great! I can't even say I have a favorite one. I
love the color tattoos a LOT! Do you have any favorite style?
A: In the beginning I really wanted to find my own style and
only do that one thing, but every client wants something
different, so I decided to be open for everything. Because it's
all tattooing, no matter how easy or hard it may be to make. I
can't really say that I have a favorite style now. Maybe it's
because I get bored if i do the same style for more then a week.
But if I had to pick one, I would go with new school! This is
always super fun to do. Because you still need to know and use
the same principles of other styles, like how light works and
how it shapes things in the tattoo. But I wouldn't be one of the
tattooers who only knows how to make one style, never.
Q: Knowing that you can do many tattoo styles, every
client has a spot in the appointment book. :) Do you draw for
each customer?
A: That's always a mystery to me, I never prepare or draw before
the appointment. Last minute panic, I guess. Of course,
sometimes where I have to do something before the client is in
the shop. But most of my favorite tattoos are made on the spot.
It gives me peace to not worry about tomorrows client. Back in
the day, I would always prepare the tattoo, and put many hours
in to it. But after getting to know that most clients change
their mind a lot, I stopped preparing. I'm not saying it's the
best way to work, but it works for me at this point in my life.
- Do you allow your clients to bring some reference
images or it has to be 100% your own design?
Most the clients I have in the shop come in wanting the same
thing as the guy from yesterday, so I have to tell the same
story in a new way most of the time. I worked in the sales
sector for some time, so I learned to sell another idea to the
client. Otherwise I would do the same thing a lot.
Q: Talking about tattoo
sketches, wow, you can make a beautiful collection! You're a
great illustrator! Have you ever thought to sell some prints or
just do an expo?
A: I wish there was more on that... But the truth is, I'm not so
productive. I've had a few drawings on expos and made some
prints, sold a few.. But it's not my strong side. I'm way more
comfortable with just tattooing, and doing stupid drawings that
are just for myself. Every time I open my instagram I see all
these crazy guys like Jamie Pis, Kenni Puke and others, and they
all do so much cool stuff on paper, but there is no way I could
be that productive on paper. Not at this time. I hope the time
will come soon!
Q: Big projects such as sleeves and back-pieces are
always a challenge for the tattoo artists, even clients who has
to go through the "pain" and many session to finally see the
outcome. :) Many details play a big role, great highlights and
so much more. How many sessions usually take to finish big
projects, such as sleeve etc?
A: It's all different for each client, some takes the time and
pain really easy, and some have very hard time getting through
the session. Every tattoo I make, is made to connect with the
next one. So if you get a forearm done, you can always come back
if you decide to get the full sleeve done. There is always a
flow that allows me to build more to the tattoo. I think the
fastest sleeve I have done was 3 sessions, so around 18 hours,
and it was done in new school black n' gray, 3 days straight. If
it was in color it would have been 5-6 session. But most sleeves
are 5-6 session. Depending on the style and amount of detail of
course... it's really hard to give a precise answer.
- WOW, any longer session?
The longest, is 17 hours. First I did a normal session, but I
had a drawing of a honey bear I really wanted to do, so my
apprentice jumped in the chair and we finished at 05:30.. I felt
like I had been partying all night after.
Q: I bet beautiful Denmark is so
inspiring for many artists! Surrounded by stunning architecture
and breathtaking landscapes... so much history and glory!
Nowadays, we have new forms of art, of course, it evolves in
many ways, how is the Danish approach to tattoo art?
A: I think it depends on when you got into tattooing. If you are
one of the old farts, you have seen the industry go from a shady
bars backroom in Nyhavn Copenhagen, to a famous TV show with
rockstars getting tattooed by famous tattooists. I was lucky to
get in when it all took a turn for the better (in my opinion). A
lot of new young tattooers came in and took another perspective
on the industry. Machines got easier to use, photoshop became an
every day tool and all the young ones who were good, shared
their knowledge. So the quality of the work and the numbers of
styles exploded. More and more people got tattooed and now it's
not "special" to be tattooed anymore. So it's for everybody, and
that is great! Clients from all classes comes into our shops and
gets different styles done. Not just tribals and Beckham
sleeves. So I think we Danes have a very open mind when it comes
to tattoos, and it's only going to get better.
- Do you also visit some of the tattoo events, such as
tattoo conventions, seminars etc?
Out of the conventions I've been to, only two have been so cozy
and well organized that I come back every year. Aarhus Art
Convention and Stockholm Ink Bash. But the best memories I have
from a convection was the first one I did with my buddy Kenni
Poke, it was a Danish one in Frederikshavn. I have so many good
experiences from all conventions, it would be a very long night
to write them all now.
Q: Many kids nowadays watch videos of tattoo artists and
go to eBay to buy some equipment, thinking that learning
tattooing is easy... as well funny all the time! :) As a
professional tattoo artist, please point out some quality over
quantity words.
A: Well... Some of the best tattooers I know and met, all
started the same way. With a shitty tattoo kit and some friends
who trusted them. Including me. I think once you made a few
tattoos on your buddies and you realize that it's not as easy as
it looks, most of them will quit and never pick it up again. But
a few will keep going and even fewer will learn how to do a
decent job and get an apprenticeship. But of course getting an
apprenticeship is the smartest way if you want to get into it.
So if you do it, do it good!
Please write your studio location and email so my
readers will know how to get in contact with you.
Bad Boys Tattoo - Frederikssund - Denmark.
Tattoosbymads@live.dk
www.instagram.com/madsthill