interview with yomico moreno
Hello Yomico Moreno!
Thank you so much for taking the time to do this interview. It really means a
lot having you here. Please start by telling us something about
yourself and your beginnings. How long have you been tattooing? It's been about 13 years since I started, I never really imagined
that I was going to be a tattoo artist, but I always knew that I
would live from art. When I was a kid I always had an interest in
drawing, painting, but I remember on my way home from high school
there was a small tattoo shop and I stopped there every day to check
out their magazines, listen to the machine and ask questions. There
began my curiosity for this art.
Q: Did you have any guidance from someone while you were
starting?
A: Unfortunately no, 13 years ago the tattoo industry was very
closed off in my country, it was very difficult to get someone to
give you a tip. I used to buy magazines and read interviews to see
what tattoo artists were using at the time.
Q: You do mostly realistic tattoos, they all look amazing!
Would you say that this type of work is something you enjoy the
most?
A: Well I’ve had to do all kinds of tattoos, from letters, tribal,
japanese, traditional, let's say all these styles helped me find my
identity and understand what style I wanted to do and felt more
comfortable with. Realism is one of the
newest tattoo styles compared to japanese, letters or
traditional. I love doing realism, but I feel that we have become
monotonous and at this time feel the need to create good
compositions beyond copying a face with a template. I feel that it’s
part of the evolution, always looking for something beyond
and it’s what I am focusing on today.
Q: Nowadays, tattoos are no longer a
simple image from the internet, but a lot cooler and more
personalized. Do you accept reference images, do you suggest your
clients some ideas?
A: Yes, I always like to start with the main idea from my clients.
One of the things I try to make clear before starting a project, is
that I need complete freedom when designing the tattoo. I explain
that what I do is an interpretation of their idea with my style. I
think that's the beauty of tattooing today. I remember that before
clients would go to a studio, look at a book and they would choose a
tattoo as if they were buying shoes, it's interesting to see that
changing. Today people are looking for a tattoo artist, much like an
art collector, who looks for work and style of a specific artist and
with this in mind, I try to get my clients to understand my work
method when they decide to contact me. They aren’t just getting a
tattoo, they are collecting an art piece.
Q: Realistic tattoos, especially
the portraits require a very precise touch, lots of time and patience.
What details are the most difficult to work on?
A: Yes, you have to be very detail oriented, in portraits any
detail, even a small can change the
overall outcome and make it look like someone else. Especially the
eyes, a misplaced highlight on the eyes can change the expression
completely, every detail counts, every detail can give you a better
or worse result.
Q: You do a lot of collaborations with many artists,
including Steve Butcher and Sam Barber. How the team work helps
you to grow as an artist?
A: You missed to mention is Jak Conolly, they are not only amazing
artists whom I admire and respect very much, they are my best
friends, almost like my second family. When we consider going to
conventions and doing collabs, we always approach it as good
friends who will have fun doing what we love. Is not only artistic
but human growth, most of the time we rent a house where we live
together for days, we talk about art, we design together, we talk
about life and it's nice because we do it as a team and undoubtedly
we grow. We inspire each other in every way, we
give constructive criticism and advise each other on ideas and when designing,
we help each other out. I owe everything in my life to tattooing and
will always be thankful for it, for giving me brothers like them. It
is always good to surround yourself with people who inspire you as
an artist and as a human being.
Q: I really love the Edgar Alla Poe tattoo! Was that your
idea or your client's?
A: I'm focusing on re-interpreting
my realism, maybe something more surreal. For many years I enjoyed
copying the portrait of a photo, but there comes a time
where you feel monotonous and you need to push further, where you
risk re-inventing yourself, to make sure the portrait does not lose
its essence, but also reflects your own artistic work. More or less
that’s what I did with the Allan Poe tattoo.
Q: Tattoo conventions are a great way
to meet a lot of tattoo artists and learn. How often do you visit
this type of events? Do you have any favorite?
A: Conventions are food and knowledge for the soul, I travel a lot.
I like to go to many conventions around the world. I’ve shook hands
from colleague to colleague to artists that I have admired
throughout my career, not only that, to be able to share a beer and
chat with so many tattoo artists is undoubtedly an experience that
nurtures and feeds that desire to grow and be better. I have been
lucky to be able to participate in the best conventions in the
world, from London, Milan, Paris, but I also like attending smaller
conventions, for example in South America, where I have encountered
incredible people. The truth is,
it doesn’t matter how big or small the convention is, because I know I
will see my good friends and colleagues and this always makes for a
good weekend and a great experience.
Q: Where are you located now?
A: I am currently in New York. Working at Last Rites Tattoo, with
Paul Booth for two years now.
Q: Any advice for the new artists?
A: Today thanks to Tv, tattooers have gone from the bad guys in
films, to being protagonists, and with reality Tv and social
networks, doing tattoos has become cool. Nowadays everyone wants to
do tattoos because they believe that they will make easy money, that
they will travel the world and that they will live like rockstars,
but this goes beyond that. You have to feel true passion for this,
you have to sacrifice a lot, it is not only picking up a tattoo
machine and making a straight line, I’ve always said that there is a
big difference between being a tattooist and being a tattoo artist.
Anyone with a machine can be a tattooist and draw a line on the skin
and make a tattoo, but the difference is, you have to study what we
will be doing tomorrow and every day.
There is no tattoo university, you will never graduate as a tattoo
artist, but still we study every day, we learn every day, we learn
from our own mistakes, it is not a question of being a tattooist, it
is about being an artist and to achieve it, we need to
study a lot, to understand the art, to draw, paint, design, to make
many mistakes, recognize them and correct them. Even then we may die
unsatisfied with what we do, because that is to be a tattoo artist.
Ask yourself this question, How much am I willing to sacrifice for
this? Only in your answer will you know where and how far you can go.